The Lost Opera

THE LOST OPERA Bill­board, March 11, 2023 Blues Opera, an oper­at­ic mas­ter­piece writ­ten by white men for an all-Black cast, believed irre­triev­ably lost, was found and restored. Can it be pro­duced with­out con­tro­ver­sy? _______________________ BY FREDRIC DANNEN JOHN MAUCERI devotes a good part of his busy career to restor­ing lost music. The Amer­i­can con­duc­tor and schol­ar, who […]

The Oligarch of Classical Music

THE OLIGARCH OF CLASSICAL MUSIC Bill­board, May 15, 2021  After wrest­ing con­trol of IMG Artists in an inter­nal pow­er strug­gle, Russ­ian-born tycoon Alexan­der Shus­torovich has kept the agency alive through the pan­dem­ic to become the world’s largest man­ag­er of clas­si­cal music tal­ent. Bill­board inves­ti­gates the secre­tive CEO’s unlike­ly path — from build­ing a pub­lish­ing for­tune to […]

Chairman of the Band

CHAIRMAN OF THE BAND Bill­board, Sep­tem­ber 11, 2020  HOW JIM DOLAN’s PASSION FOR MUSIC IS DRIVING MSG’s HIGH-RISK PLAN TO RESHAPE THE ARENA BUSINESS _______________________ BY FREDRIC DANNEN IN THE SPRING OF 2008, James Dolan, the CEO of Cable­vi­sion, called an employ­ee for advice. Dolan was nev­er a man who did things by halves. When he discovered […]

A Matter of Dissonance

A MATTER OF DISSONANCE New York­er, August 26 & Sep­tem­ber 2, 1996 LETTER FROM LOS ANGELES Arnold Schoen­berg’s music was dar­ing, dis­cor­dant, and endur­ing­ly unpop­u­lar. U.S.C. is a uni­ver­si­ty famous for its foot­ball tro­phies and film school. Who­ev­er thought the com­poser’s lega­cy belonged in a place like that?_______________________ BY FREDRIC DANNEN SHORT, bald, quick-wit­t­ed, and irritable, […]

Showdown at the Hit Factory

SHOWDOWN AT THE HIT FACTORY New York­er, Novem­ber 21, 1994 THE WORLD OF BUSINESS  Warn­er Music’s Mo Ostin had one of the most pow­er­ful jobs in the indus­try. When he left it, the record men went to war._______________________ BY FREDRIC DANNEN ON THE MORNING of Octo­ber 27, 1994, ten senior exec­u­tives of the Warn­er Music Group, […]

Twilight of the God?

TWILIGHT OF THE GOD? New York­er, Octo­ber 3, 1994 NIGHTS AT THE OPERA James Levine has ruled the Met for over a decade. The gen­er­al man­ag­er, Joseph Volpe, who rose from the car­pen­try shop, may have ambi­tions of his own._______________________ BY FREDRIC DANNEN IT had been a bad week for James Levine. First, Levine, the artis­tic director […]